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Stacey Melendy's avatar

Future Freddie Mercury?

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Maureen Barber's avatar

Wow. For some reason it reminds me of Mike Oldfield's Tubular Bells.

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Dan Szczesny's avatar

Isn't that the theme from Halloween?

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Maureen Barber's avatar

I do not know about Halloween, but originally from The Exorcist. (Not that it or hers sounds evil).

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Ed's avatar

Yeah! While I can't claim to like it and it's not something I'd listen much to, I certainly can admire it. It shows an amazing sense for sound and for rhythm, and an inclination toward storytelling as well. The invasion surely is in process, met by an apparently ineffectual defense.. If she continues in this direction there is much of value ahead.

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Dan Szczesny's avatar

Right? I think that crazy part near the end is the ineffectual defense you speak of LOL

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R.W.W. Greene (He/Him/His)'s avatar

I'm a fan of the clown-horn honks. No doubt they represent our ineffectual attempts to resist the onslaught.

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Dan Szczesny's avatar

There's always a clown general in these situations who's too cocky!

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Faith Senie's avatar

Dang, solid rhythm and tempo throughout! Is that her left hand doing the four note scale walkdown throughout the piece? I know seasoned musicians who can’t keep a consistent tempo for that long without speeding up or slowing down. Cool piece! Nice job, Little Bean!

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Dan Szczesny's avatar

To be fair, her synth piano allows her to program scales like that. So she went through some various versions and then programed the scale and tempo. Still, she's learning LOL By the way, I'd still love to unveil your wonderful White Mountain songs at some point!

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